Production

We offer a high-quality digital cinema adaptation service

Expertly managing every step, from asset to screen

From adapting your creative to final delivery, we make sure every campaign is cinema-ready.

With DCM’s Production service, it’s easy to transform existing creative into high-quality digital cinema packages (DCPs).

You share the asset and we’ll make it cinema-ready, handling everything needed to make it look and sound its best on screen.

We work to SMPTE standards across a range of formats and run rigorous quality checks at every stage.

Production specifications

Getting your ad on the big screen is easier when you know what to expect. This section covers everything your production team or post house needs to deliver assets that meet cinema standards — from file formats and audio specs to upload platforms and approval timelines.

Our Production team is on hand to support you, but we recommend reading this guide in full before you start to avoid delays or unexpected costs.

Production requirement technical specifications

Delivery checklist

For your advert to be ready to air in the cinema, you need to have completed all of the following.

Have you...

The Cinema Advertising Association (CAA) provides cinema adverts with a classification that indicate the films it can be shown before. The clearance process takes 24 hours. All copy must receive CAA clearance before exhibition. The cost of this is £180 (+VAT). Charity & public information ads are exempt from this fee.

The Cinema Advertising Association (CAA) website

All copy for charity and government affiliated campaigns requires clearance from the British Board of Film Classification (BBFC), along with any copy containing content from film and TV. This clearance process takes 48 hours and costs vary.

The BBFC website

DCM only recommend mixing your audio at a theatrical studio set up to motion-picture industry standards. This ensures audio is mixed in an environment which is technically specified to provide excellent translation to the cinema and mixed by specialists.

Supply the sound studio with separate uncompressed stems, including music stems for best results. 

Cinema runs at 24fps; however, you will note that we accept picture at either 24fps or 25fps. 25fps will be slowed down to 24fps on the DCP.

If you are supplying picture at 25fps, then your sound studio must mix against this same 25fps version. Your studio will need to stretch the audio to 24fps before supplying the finished D-Cinema Immersive Audio & D-Cinema 5.1 mixes to us, as per our audio specifications. This means that the advertisement will run 4% slower/longer on cinema. Please note that DCM do not charge any additional fees for this 4% overrun.

If it is preferable to avoid stretching the audio, then you may alternatively decide to talk to your post house about cutting a native 24fps picture before the mix which will avoid the tempo change.

Sound studios supply all audio mixes to DCM via 4cine.io, an automated technical QC system which ensures compliance with UK cinema audio regulations.

Please instruct your sound studio be set up with a 4cine account to deliver audio to DCM via 4cine.ibmaspera.com.

Log in to 4cine

It is advised that titles and logos fall within cinema title safety. All legal lines must  be positioned within cinema title safety. Any object that falls outside of title safety is at risk of being cropped by the masking curtains in some auditoriums.

Please ensure that you use the title safety guide that corresponds with the resolution of the picture you are supplying, otherwise the picture may be rejected.

Frames should always be exported and supplied progressive, not interlaced. An interlaced picture sequence can cause visual quality issues in the mastered DCP.

If you are already setup with Caria access, you should use the platform to create your CRI. Creative agencies will see the booking on their system, indicated by the cinema symbol.

There are guides on how to setup CRI’s on the Caria Help page.

Create CRI from a media booking

Once all assets and clearance letters have been supplied, we will convert your advert to digital cinema format (DCP). Once this is done, we can either host an approval screening in our office, or we can send you a viewing file via email so that you can confirm we have received the correct assets. 

Bespoke formats

Discover our premium cinema advertising formats that deliver exceptional experiences

End frames

Localised visual and audio experience

Using DCM's cinema proximity planning tool, you can run national campaigns with a local spin for every region, city, town or cinema across the UK via local end frame messaging. By mapping our cinemas against your retailers and stockists, Localised End Frames have the ability to drive audiences to your product, based on their proximity. Production lead times and costs are dependent on the size of the campaign and DCM’s involvement in creating the End frames.

To find out more, contact your DCM Sales rep
Endframe

Contact the production team