The Cinema Advertising Association (CAA), which oversees advertising exhibition standards in the UK and the Republic of Ireland, has announced new proactive restrictions on the advertising of High Fat Salt and Sugar (HFSS) Food and Drink Products in Cinemas Read more
Downton Abbey: The Grand Finale topped the box office for a second successive weekend, adding £2.3m, which is down 48% from last weekend. Read more
The ninth annual Digital Cinema Media Awards, held in partnership with Campaign, took place last night (Wednesday 17 September) at BAFTA’s glamorous premises in Piccadilly to celebrate the very best in cinema advertising. Read more
Downton Abbey: The Grand Finale promised to be a big climax to the much-loved series, and so it delivered, opening with £4.4m. Read more
The cinema is one of Olympic Studios’ locations, alongside the flagship Olympic Studios cinema in Barnes and The Cinema in The Power Station (and the Arches) at Battersea. Read more
In a cinema-first, The Royal Air Force (RAF) has launched a 3D Anamorphic ident in Cineworld theatres across the UK, created as a part of the brand’s ongoing sponsorship of Thrill Seekers at Cineworld. Read more
The Conjuring: Last Rites, has opened with a huge £6.8m, by far the biggest opening of the series and one of the biggest openings ever for a horror film. Read more
Olivia Colman and Benedict Cumberbatch comedy-drama The Roses opened in the top spot with an impressive £2.2m. Read more
We’re excited to share that Digital Cinema Media has been shortlisted for six Campaign Media Week Awards this year. Read more
Weapons continues its terrific run at the box office, coming in first for the third successive weekend. Read more
Weapons continues a great year for original horror titles, which takes its total to £6.3m after two weekends in cinemas. Read more
Weapons took the top spot on its opening weekend, grossing a total of £2.8m including £253,533 from 497 previews from Thursday. Read more
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