The Weekend Round-up
The Hobbit: The Battle Of The Five Armies stayed in the top spot, adding £4.2m, and to date has grossed $28.8m, making it the fourth biggest film of the year. It’s certain to be the highest grossing film released in 2014, but it will probably overtake The Lego Movie next Friday or Saturday, so will not finish 2014 as the year’s biggest film. Read more
Christmas is upon us and as we near the end of December, DCM’s Fantasy Film League has come to a close for another year. We are now excited to announce the winner of the ultimate FFL Prize, a fabulous Red Carpet Premiere experience including a 5* dinner and overnight stay in London for two.
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DCM's Head of Film, Tom Linay, takes a look back at 2014, getting under the skin of an extraordinary year for film in a blog post written for The Huffington Post.
It is often said that there's never a bad year for cinema and 2014 emphatically proved that. In a year when cinema admissions were down on the highs of the last few years and no single film crossed the £40m mark for the first time since 2003, it would be easy to be pessimistic about the current state of cinema. Then you look at the success stories of the year. We saw the two highest grossing 18-certificate films of all time, a film like 12 Years A Slave out-grossing Transformers: Age Of Extinction, Marvel introduced a whole new team of superheroes in the freshest and funniest sci-fi adventure since we first visited a galaxy far far away and, when the biggest film of the year to date is the wonderful The LEGO Movie, you realise that everything is awesome. Read more
The Weekend Round-up
On the final weekend before Christmas The Hobbit: The Battle Of The Five Armies stayed in the top spot, holding off a couple of high profile sequels. Peter Jackson’s trilogy closer was off 45% to £5.4m and after ten days in cinemas has cracked the £20m mark. It now sits on £20.3m and at the same point in its run The Desolation Of Smaug fell 43% and sat on £20m. In the next few days, The Battle Of The Five Armies will crack the top 10 films of the year and with nine more days left of 2014, it should climb pretty high up the list before the year is out. Read more
The Weekend Round-up
For the final time (supposedly) a Middle Earth-set film opened at the top of the box office. The Hobbit: The Battle Of The Five Armies kicked off with £9.8m, which is the second highest opening weekend of the year, behind The Hunger Games: Mockingjay Part 1 (£10.3m) and it also set a Friday to Sunday record for the series. An Unexpected Journey opened with £11.6m in 2012 but £2.1m of that was from Thursday previews, so its Friday to Sunday total was £9.5m. The Desolation Of Smaug had a Friday start last year and managed £9.3m in its first weekend. Read more
After four years as CEO, Simon Rees has announced that he will be leaving Digital Cinema Media (DCM) at the end of January in order to pursue other interests both inside and outside of the media industry.
Since joining in May 2011, Simon has led the transformation of DCM into a modern digital sales agency. Key developments have been the introduction of a new digital delivery system for commercials, and interactive capability through the mobile app Cinime. Read more
Digital Cinema Media (DCM) and FUEL, a marketing data intelligence platform, have joined forces to explore and showcase exclusive data insights around film in 2015 by taking a holistic look at the social chatter around all of the latest movies, content and audience demographics.
In a year that is going to be huge for cinema, there is no better time to analyse the narrative and tone around some of the leading films set to hit the big screen over the next 12 months and look at how brands can get involved in the conversation. Read more
Global youth media company, Vice, is getting into feature films by setting up Vice Films as a joint venture with 20th Century Fox.
The joint venture will develop, produce, finance, market, acquire and distribute films from emerging directors around the world, aiming to make at least two movies a year, at a budget of about $2m. Read more
The Weekend Round-up
The UK’s favourite bear comfortably held on to the top spot this weekend, with a strong hold that suggests there’s plenty more to come. Paddington fell just 25% to £3.8m and in doing so cracked the £10m mark. In just ten days it has already overtaken Rush to become StudioCanal’s third biggest film of all time, behind The Imitation Game and Tinker Tailor Soldier Spy, which it will overtake in the next week or so. With the bumper boost provided by the Christmas holidays on the horizon, a final total approaching £30m is not out of the question. Read more
In a blog post written for Screen Daily, DCM’s marketing director Zoe Jones talks about the findings of their latest research project looking at the effectiveness of cinema advertising.
Last week, Digital Cinema Media (DCM) hosted its 2014 Upfronts event at Bafta, bringing together over 200 industry leaders to look ahead to 2015, what’s set to be the biggest year for film in decades, and discuss the range of exciting opportunities available for brands to engage the diverse cinemagoing audience and how they can enhance the cinema experience both on and off screen. Read more
Live from Pinewood Studios, Sam Mendes announced today that the 24th James Bond film will be called Spectre.
Daniel Craig heads-up a phenomenal cast that includes Christoph Waltz as the Bond villain, with Dave Bautista and Andrew Scott also joining the established cast. Léa Seydoux and Monica Bellucci were also announced as the Bond ladies. Read more
Speaking at the CEA Digital Conference last week, DCM's CEO, Simon Rees, presented to a packed audience about why digitisation has made cinema a more attractive prospect for advertisers and brands, discussing how the key challenge now is in cinemas’ relationships with their audiences.
Cinemas must engage more with audiences outside of the theatres, according to the CEO of Digital Cinema Media. Read more
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