Kylie writhing around on a red velvet rodeo bull in a 2001 spot for Agent Provocateur was voted the UK's ultimate cult cinema ad in our online poll carried out in December.
 The ad, titled 'Proof', starring the diminutive Aussie songstress clad in black lingerie beat off competition from the likes of Orange, Maxell Tapes, Guinness and Sony to take the accolade.
Here are just some of the comments we received from you:
'Great sound track, fantastic imagery and really funny! Talks directly to the audience and fully engages them. Brilliant.'
'It generated fantastic WOM and could still be played in cinemas 7 years later without looking out of date'
'Launched an entire brand into the stratosphere with relatively little high-street presence and a miniscule overall marketing budget.'
Read more of your comments...
Watch Kylie in action below.
The UK's ultimate cult cinema ads Top 10 in full |
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| 1. Agent Provocateur 'Proof' (2001) |
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'Would all the men in the audience stand up.'
Kylie as we've never seen her before, writhing around breathless on a red velvet rodeo bull to prove that Agent Provocateur is 'the most erotic lingerie in the world' ... and who were we to disagree?
Music The Hives 'Main Offender' |
| 2. The Orange Gold Spot |
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'Miss Huston we have a problem...'
Miss Huston stared in the previous Orange Gold Spot; we could have chosen any of them from the last five years, such is their continued popularity, we just couldn't decide which to go with.
From your comments Patrick Swayze leads but it could have been Carrie Fisher, Snoop Dogg, Alan Cumming, Steven Seagal, Daryl Hannah, Spike Lee, John Cleese, Darth Vader... the list goes on.
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| 3. Maxell Tapes 'Break the Sound Barrier' (1982) |
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A classic from the '80s starring Bauhaus frontman, Pete Murphy, blowing his mind with the power of Maxell cassettes (the Bang & Olufsen stereo helped some too).
So iconic is this image it has been parodied numerous times, most recently in the 'Model Misbehavior' episode of Family Guy. And now we've just seen it on the cover of Lemar's new album, 'The Reason' (the Le Corbusier chair is the giveaway).
Music Rimsky-Korsakov 'A Night On The Bare Mountain'
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| 4. Dunlop Tyres 'Tested for the Unexpcted' (1994) |
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An absolutely stunning ad with the perfect soundtrack.
Uncompromising director Tony Kaye was apparently given a limitless budget and sent away to shoot whatever he wanted. When he came back from the netherworld this was the deliciously surreal result. Kaye even tried to have it exhibited at the Tate, that's how good he thought it was and we agree.
Music The Velvet Underground 'Venus in Furs'
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| 5. Ford Puma 'Bullitt' (1997) |
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Ford swapped the Mustang for its new Puma in this wonderfully executed pastiche of the chase scene from 'Bullitt'. Steve McQueen is seamlessly placed in the driving seat as he cruises around the streets of San Fransisco before parking up next to his Mustang and the Triumph from 'The Great Escape'. The special effects may seem routine now but they wowed us all at the time.
Music Lalo Schifrin 'Bullitt'
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| 6. Diet Coke 'Break' (1994) |
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'It's 11.30...'
Still guaranteed to get women hot under the collar, this ad had a nation of ladies steaming up their office windows on the look out for thirsty builders.
Music Etta James 'I Just Wanna Make Love To You'
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| 7. Bacardi Rum 'If ' (1991) |
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'Peckham on a wet Saturday afternoon. Next door's budgie. Aunty Beryl. The Dog & Duck...'
If you went to the cinema in the early '90s this ad for Bacardi will be seared into your subconscious. There was even a Scottish version if you lived north of the border, 'Aunty Morag, The Thistle Bar...'.
A crisp white linen suit and a speedboat home has never been so desirable.
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| 8. Guinness 'Surfer' (1999) |
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'He waits; that's what he does.'
Guinness advertising has been consistently iconic but this ad, directed by Jonathan Glazer, looked and sounded stunning on the big screen. From Leftfield's music and the 'Moby Dick' voiceover to the surfers battling Neptune's Horses, it's the perfect cinema ad.
''Here's to you Ahab'. And the fat drummer hit the beat with all his heart.'
Music Leftfield 'Phat Planet'
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| 9. Carling Black Label 'Dam Busters' (1990) |
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'I bet he drinks Carling Black Label.'
Carling's take on the Dam Busters raid featuring comedy duo Steve Frost and Mark Arden remains one of the series' most popular and funniset ads.
Music Eric Coates 'Dam Busters March'
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| 10. Sony Bravia 'Balls' (2005) |
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'Colour like no other'
If ever there was an ad that you just had to see on a cinema screen, this was it.
250,000 brightly coloured bouncy balls cascading down a San Fransico street. It took six takes but director Nicolai Fuglsig pulled it off spectacularly.
Music José González 'Heartbeat'
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More of your comments on Agent Provocateur 'Proof':
'Choosing just one ad from this list has been incredibly difficult. I've chosen Proof because more than any of the other ad, it makes the most of the medium of cinema advertising. On one level it's brilliantly lit, expansive, sumptuous and cinematic. So is 'Tested for the Unexpected', but where it has the edge on its rival, is in the way it interacts with the audience. Going to the cinema is a wonderful, communal experience and 'Proof' recognises this with the witty punchline it sets up at the end of spot when Kylie acknowledges the audience by talking directly to them. It makes the cinema goers aware of one another; it's well-executed and doesn't take itself too seriously. It's almost a parody of high end fashion advertising. And it manages to engage both men and women by talking to both at the same time, without alienating either audience. Given the ad features a scantily clad Kylie, it could've ended up putting off women but it doesn't - the casting of the Aussie pop singer is spot on. And of course, Kylie is incredibly sexy in the ad. Cinema is about escapism and aspiration, and the ad has both of these qualities. I hope it wins.'
'It is a very British advert, even though Kylie is obviously Australian. Very English sense of humour, naughty and engaging with the cinema audience.'
'Kylie is an iconic figure for girls, she looks amazing in the underwear, it's got a cheeky and slightly naughty tone to it reflecting Agent P well.'
'I only wish I'd been in a cinema to witness this on the big screen.'
'Other than the obvious it's the only true pure cinema only "advert" (not sponsorship) and before the days of viral'
'Became something highly talked about that people wanted to see and would search out for themselves, almost like a short film in its own right. Ad was totally suited to the medium and the environment and exploited cinema.'
'Only ran in Cinema and viral and yet created massive PR . End joke made whole audience laugh and engaged both sexes.'
'Making the most of the medium. Brilliant use of full screen size, music and celebrity to engage its male audience!'
'DAMN!!! It’s KYLIE for God's sake ... she could model cow-shit covered wellies and she'd still sell a million of them!'
'Great use of cinema as a stand-alone medium, playing to its strengths over TV.'
'Risque, clever, visually stunning - massively impactful.'
'Very relevant to men and very provocative. Plus Kylie gives it something to go "oh look, its Kylie".'
' 'cause she's a fox!!'
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