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	<title>Digital Cinema Media - Cinema Advertising - Blog &#187; Martin Scorsese</title>
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	<description>Cinema Advertising: The Ultimate Brand Experience</description>
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		<title>Martin Scorsese: Teach visual literacy</title>
		<link>http://www.dcm.co.uk/blog/2013/04/02/martin-scorsese-teach-visual-literacy/</link>
		<comments>http://www.dcm.co.uk/blog/2013/04/02/martin-scorsese-teach-visual-literacy/#comments</comments>
		<pubDate>Tue, 02 Apr 2013 16:38:06 +0000</pubDate>
		<dc:creator>Joey Payne</dc:creator>
				<category><![CDATA[Exhibitor News]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Cinema Advertising]]></category>
		<category><![CDATA[DCM]]></category>
		<category><![CDATA[Digital Cinema Media]]></category>
		<category><![CDATA[Goodfellas]]></category>
		<category><![CDATA[Jefferson Humanities Lecture]]></category>
		<category><![CDATA[John F. Kennedy Centre for the Performing Arts]]></category>
		<category><![CDATA[Martin Chilton]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Persistence of Vision: Reading the Language of Cinema]]></category>
		<category><![CDATA[Phaedrus]]></category>
		<category><![CDATA[Raging Bull]]></category>
		<category><![CDATA[Taxi Driver]]></category>
		<category><![CDATA[The Telegraph]]></category>
		<category><![CDATA[Visual literacy]]></category>

		<guid isPermaLink="false">http://www.dcm.co.uk/blog/?p=4536</guid>
		<description><![CDATA[<a href="http://www.dcm.co.uk/blog/wp-content/uploads/2013/04/Scorsese-blog.jpg"><img class="alignleft size-full wp-image-4537" alt="Scorsese blog" src="http://www.dcm.co.uk/blog/wp-content/uploads/2013/04/Scorsese-blog.jpg" width="550" height="111" /></a>

Film director Martin Scorsese has made an impassioned plea for young people to embrace the rich cinema heritage of America before it disappears.

The 70-year-old Oscar-winning director of films such as <i>Raging Bull</i>, <i>Goodfellas</i> and <i>Taxi Driver</i> was delivering the annual Jefferson humanities lecture at the John F. Kennedy Centre for the Performing Arts in Washington.

In a speech called<i> Persistence of Vision: Reading the Language of Cinema</i>, Scorsese said: "We're face-to-face with images all the time in a way that we never have been before. Young people need to understand that not all images are out there to be consumed like, you know, fast food and then forgotten. We need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something."]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.dcm.co.uk/blog/wp-content/uploads/2013/04/Scorsese-blog.jpg"><img class="alignleft size-full wp-image-4537" alt="Scorsese blog" src="http://www.dcm.co.uk/blog/wp-content/uploads/2013/04/Scorsese-blog.jpg" width="550" height="111" /></a></p>
<p>Film director Martin Scorsese has made an impassioned plea for young people to embrace the rich cinema heritage of America before it disappears.</p>
<p>The 70-year-old Oscar-winning director of films such as <i>Raging Bull</i>, <i>Goodfellas</i> and <i>Taxi Driver,</i> was delivering the annual Jefferson Humanities lecture at the John F. Kennedy Centre for the Performing Arts in Washington.</p>
<p>In a speech called<i> Persistence of Vision: Reading the Language of Cinema</i>, Scorsese said: &#8220;We&#8217;re face-to-face with images all the time in a way that we never have been before. Young people need to understand that not all images are out there to be consumed like, you know, fast food and then forgotten. We need to educate them to understand the difference between moving images that engage their humanity and their intelligence, and moving images that are just selling them something.&#8221;</p>
<p>Scorsese is the first filmmaker to deliver the Jefferson address since it was launched in 1972 (writers Tom Wolfe, Arthur Miller and Robert Penn Warren have been previous guest speakers) and he called for &#8220;visual literacy&#8221; to be taught in schools, as he cited a reference to Plato&#8217;s <i>Phaedrus</i>.</p>
<p>He said that films were a cultural artifact that needed preserving, because they &#8220;tell us who we are, ultimately&#8221;.</p>
<p>Scorsese&#8217;s lecture, reported by The Telegraph, incorporated a wide variety of movie clips to illustrate the four factors he regards as crucial to film — light (&#8220;something at the beginning of cinema&#8221;), movement, time and inference. He used an 1894 clip from Thomas Edison&#8217;s film studio, the Black Maria, featuring two cats &#8216;boxing&#8217; to illustrate how movement has always been vital to film, and to show that today&#8217;s cult obsession with YouTube cat videos has its historical precedents.</p>
<p><iframe src="http://www.youtube.com/embed/k52pLvVmmkU" height="343" width="550" allowfullscreen="" frameborder="0"></iframe></p>
<p>But Scorsese argued that to fully comprehend the language of moving images, it is essential to &#8220;preserve everything&#8221; from blockbusters to home movies, by way of films which may not look like works of art on first showing. To prove his point, Scorsese screened a clip from <i>Vertigo</i> — regarded now as a work of brilliance but dismissed by many at the time of its release in 1958 as just another crowd-pleasing Alfred Hitchcock thriller (below, with James Stewart as John &#8216;Scottie&#8217; Ferguson).</p>
<p>&#8220;It came very very close to being lost to us,&#8221; he said, adding that over time viewers can appreciate elements in a film that might not be evident on its initial release.</p>
<p><a href="http://www.dcm.co.uk/blog/wp-content/uploads/2013/04/vertigo2_2344791c.jpg"><img class="alignleft size-full wp-image-4540" alt="vertigo2_2344791c" src="http://www.dcm.co.uk/blog/wp-content/uploads/2013/04/vertigo2_2344791c.jpg" width="550" height="343" /></a></p>
<p>He also showed segments of the painstakingly restored 1958 British ballet film<i> The Red Shoes</i> — a seven-year effort in which he was closely involved — as he talked about the digitisation work done by the Film Foundation, a non-profit organisation he founded in 1990, which has helped save more than 500 fragile old films. Over 90 per cent of the silent films ever made, he said, are gone forever.</p>
<p>&#8220;Today we have some really wonderful tools,&#8221; said Scorsese, who last week announced plans with Hollywood studio Miramax to make a television version of his Oscar-nominated 2002 film <i>Gangs of New York</i>.</p>
<p>&#8220;Just as we learned to take pride in our poets and writers, and in jazz and blues, we need to take pride in our cinema, a great American art form. It&#8217;s a big responsibility. We have to really take good care of what&#8217;s left — everything, from the acknowledged masterworks of cinema to industrial films and home movies.&#8221; He added that &#8220;we need to treat every last moving image as reverently and respectfully as the oldest book in the Library of Congress.&#8221;</p>
<p>By <a title="Martin Chilton" href="http://www.telegraph.co.uk/journalists/martin-chilton/" rel="author"> Martin Chilton</a>, Culture Editor online, <a title="Martin Scorsese: Teach visual literacy" href="http://www.telegraph.co.uk/culture/film/film-news/9965987/Martin-Scorsese-Teach-visual-literacy.html" target="_blank">The Telegraph</a></p>
<p>02 Apr 2013</p>
]]></content:encoded>
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		<title>The Orange British Academy Film Awards</title>
		<link>http://www.dcm.co.uk/blog/2012/02/13/the-orange-british-academy-film-awards/</link>
		<comments>http://www.dcm.co.uk/blog/2012/02/13/the-orange-british-academy-film-awards/#comments</comments>
		<pubDate>Mon, 13 Feb 2012 15:24:22 +0000</pubDate>
		<dc:creator>Maria Deevoy</dc:creator>
				<category><![CDATA[Awards Focus]]></category>
		<category><![CDATA[Film Focus]]></category>
		<category><![CDATA[BAFTA]]></category>
		<category><![CDATA[Carey Mulligan]]></category>
		<category><![CDATA[Digital Cinema Media]]></category>
		<category><![CDATA[Drive]]></category>
		<category><![CDATA[Jessica Chastain]]></category>
		<category><![CDATA[Joe Cornish]]></category>
		<category><![CDATA[Judi Dench]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Melissa Mccarthy]]></category>
		<category><![CDATA[Octavia Spencer]]></category>
		<category><![CDATA[Senna]]></category>
		<category><![CDATA[The Artist]]></category>
		<category><![CDATA[The Descendants]]></category>
		<category><![CDATA[The Help]]></category>
		<category><![CDATA[Tinker Tailor Soldier Spy]]></category>
		<category><![CDATA[Tom Linay]]></category>
		<category><![CDATA[Tyrannosaur]]></category>
		<category><![CDATA[We Need To Talk About Kevin]]></category>

		<guid isPermaLink="false">http://www.dcm.co.uk/blog/?p=2183</guid>
		<description><![CDATA[<a href="http://www.dcm.co.uk/blog/wp-content/uploads/2012/02/BANNER.jpg"><img class="alignnone size-full wp-image-2206" title="BANNER" src="http://www.dcm.co.uk/blog/wp-content/uploads/2012/02/BANNER.jpg" alt="" width="550" height="111" /></a>

As we walk up the red carpet the screams get louder and louder; unfortunately we realise early on this isn’t for us but for a certain George Clooney who is working his fans into a high pitched frenzy. The celeb spotting doesn't stop there, this years 65<sup>th</sup> British Academy Film Awards was one big celeb-fest.

From Brad Pitt to Meryl Streep and everything in-between this was one of the most impressive BAFTA’s to date. Despite the freezing conditions, the women paraded in their finery (with some carrying it off better than others) while the men looked as dashing as ever (take a bow Mr Fassbender!).

We were lucky enough to get front stall seats allowing a great view point for the stars below (including the amazing Scorsese) and the captivating and engaging Stephen Fry who returned as host and managed to carry the night with great aplomb and some seriously funny one liners.]]></description>
				<content:encoded><![CDATA[<p><a href="http://www.dcm.co.uk/blog/wp-content/uploads/2012/02/BANNER.jpg"><img class="alignnone size-full wp-image-2206" title="BANNER" src="http://www.dcm.co.uk/blog/wp-content/uploads/2012/02/BANNER.jpg" alt="" width="550" height="111" /></a></p>
<p>As we walk up the red carpet the screams get louder and louder; unfortunately we realise early on this isn’t for us but for a certain George Clooney who is working his fans into a high pitched frenzy. The celeb spotting doesn&#8217;t stop there, this years 65<sup>th</sup> British Academy Film Awards was one big celeb-fest.</p>
<p>From Brad Pitt to Meryl Streep and everything in-between this was one of the most impressive BAFTA’s to date. Despite the freezing conditions, the women paraded in their finery (with some carrying it off better than others) while the men looked as dashing as ever (take a bow Mr Fassbender!).</p>
<p>We were lucky enough to get front stall seats allowing a great view point for the stars below (including the amazing Scorsese) and the captivating and engaging Stephen Fry who returned as host and managed to carry the night with great aplomb and some seriously funny one liners.</p>
<p>The evening’s big winner was <a title="The Artist" href="/film/film-schedule/the-artist" target="_blank">The Artist</a>, which bagged seven major prizes including best film, best director for Michel Hazanavicius and best actor for Jean Dujardin as well as some very funny acceptance speeches. On the other hand, Meryl Streep won her second BAFTA for her performance as Margaret Thatcher in <a title="The Iron Lady" href="/film/film-schedule/the-iron-lady" target="_blank">The Iron Lady</a>, losing her shoe on the stairs in the process (thankfully the rather gallant Colin Firth reclaimed it and placed it back on her foot – a regular Cinderella moment!)</p>
<p>Best supporting actress went to Octavia Spencer for <a title="The Help" href="/film/film-schedule/the-help" target="_blank">The Help</a> and best supporting actor went to Christopher Plummer, 82, for <a title="Beginners" href="/film/film-schedule/beginners" target="_blank">Beginners</a><em>, and </em>in doing so, he became the oldest person to be awarded a BAFTA.</p>
<p>The outstanding British film award went to <a title="Tinker Tailor Soldier Spy" href="/film/film-schedule/tinker-tailor-soldier-spy" target="_blank">Tinker Tailor Soldier Spy</a> and best documentary went to a very well deserving <a title="Senna" href="/film/film-schedule/senna" target="_blank">Senna</a>.</p>
<p>For the full run down of winners, please see below. Me? I’m off to recover following an epic after party which still has the live gig from Emeli Sande ringing in my ears…</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Academy Fellowship</strong></p>
<p>Martin Scorsese</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Outstanding British Contribution to Cinema</strong></p>
<p>John Hurt</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Best Film</strong></p>
<p><em>The Artist </em>- <strong>Winner</strong><br />
<em>The Descendants</em><br />
<em> Drive</em><br />
<em> The Help</em><br />
<em> Tinker Tailor Soldier Spy</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Supporting Actress</strong></p>
<p>Octavia Spencer &#8211; <em>The Help</em> &#8211; <strong>Winner</strong><br />
Carey Mulligan &#8211; <em>Drive</em><br />
Jessica Chastain &#8211; The Help<br />
Judi Dench &#8211; <em>My Week With Marilyn</em><br />
Melissa Mccarthy -<em> Bridesmaids</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Outstanding British Film</strong></p>
<p><em>Tinker Tailor Soldier Spy &#8211; </em><strong>Winner</strong><br />
<em> My Week With Marilyn</em><br />
<em> Senna</em><br />
<em> Shame</em><br />
<em> We Need To Talk About Kevin</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Outstanding Debut</strong></p>
<p><em>Tyrannosaur </em>- Paddy Considine, Diarmid Scrimshaw &#8211; <strong>Winner</strong><br />
<em>Attack The Block</em> &#8211; Joe Cornish<br />
<em>Black Pond</em> &#8211; Will Sharpe, Tom Kingsley, Sarah Brocklehurst<br />
<em>Coriolanus </em>- Ralph Fiennes<br />
<em>Submarine </em>- Richard Ayoade</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Director</strong></p>
<p><em>The Artist</em> &#8211; Michel Hazanavicius &#8211; <strong>Winner</strong><br />
<em>Drive </em>- Nicolas Winding Refn<br />
<em>Hugo </em>- Martin Scorsese<br />
<em>Tinker Tailor Soldier Spy</em> &#8211; Tomas Alfredson<br />
<em>We Need To Talk About Kevin</em> &#8211; Lynne Ramsay</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Documentary</strong></p>
<p><em>Senna &#8211; </em><strong>Winner</strong><br />
<em> George Harrison: Living In The Material World</em><br />
<em> Project Nim</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Original Screenplay</strong></p>
<p><em>The Artist</em> &#8211; Michel Hazanavicius &#8211; <strong>Winner</strong><br />
<em>Bridesmaids </em>- Annie Mumolo, Kristen Wiig<br />
<em>The Guard</em> &#8211; John Michael Mcdonagh<br />
<em>The Iron Lady</em> &#8211; Abi Morgan<br />
<em>Midnight In Paris</em> &#8211; Woody Allen</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Adapted Screenplay</strong></p>
<p><em>Tinker Tailor Soldier Spy &#8211; </em><strong>Winner</strong><br />
<em> The Descendants</em><br />
<em> The Help</em><br />
<em> The Ides Of March</em><br />
<em> Moneyball</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Film Not In the English Language</strong></p>
<p><em>The Skin I Live In &#8211; </em><strong>Winner</strong><br />
<em> Incendies</em><br />
<em> Pina</em><br />
<em> Potiche</em><br />
<em> A Separation</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Animated Film</strong></p>
<p><em>Rango &#8211; </em><strong>Winner</strong><br />
<em> The Adventures Of Tintin: The Secret Of The Unicorn</em><br />
<em> Arthur Christmas</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Leading Actor</strong></p>
<p>Jean Dujardin -<em> The Artist </em>- <strong>Winner</strong><br />
Brad Pitt &#8211; <em>Moneyball</em><br />
Gary Oldman &#8211; <em>Tinker Tailor Soldier Spy</em><br />
George Clooney &#8211; <em>The Descendants</em><br />
Michael Fassbender &#8211; <em>Shame</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Leading Actress</strong></p>
<p>Meryl Streep &#8211; <em>The Iron Lady</em> &#8211; <strong>Winner</strong><br />
Bérénice Bejo &#8211; <em>The Artist</em><br />
Michelle Williams &#8211; <em>My Week With Marilyn</em><br />
Tilda Swinton &#8211; <em>We Need To Talk About Kevin</em><br />
Viola Davis &#8211; <em>The Help</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Supporting Actor</strong></p>
<p>Christopher Plummer &#8211; <em>Beginners </em>- <strong>Winner</strong><br />
Jim Broadbent &#8211; <em>The Iron Lady</em><br />
Jonah Hill &#8211; <em>Moneyball</em><br />
Kenneth Branagh -<em> My Week With Marilyn</em><br />
Philip Seymour Hoffman &#8211; <em>The Ides Of March</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Original Music</strong></p>
<p><em>The Artist </em>- Ludovic Bource &#8211; <strong>Winner</strong><br />
<em>The Girl With The Dragon Tattoo</em> &#8211; Trent Reznor, Atticus Ross<br />
<em>Hugo </em>- Howard Shore<br />
<em>Tinker Tailor Soldier Spy </em>- Alberto Iglesias<br />
<em>War Horse</em> &#8211; John Williams</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Cinematography</strong></p>
<p><em>The Artist</em> &#8211; Guillaume Schiffman &#8211; <strong>Winner</strong><br />
<em>The Girl With The Dragon Tattoo</em> &#8211; Jeff Cronenweth<br />
<em>Hugo </em>- Robert Richardson<br />
<em>Tinker Tailor Soldier Spy</em> &#8211; Hoyte Van Hoytema<br />
<em>War Horse</em> &#8211; Janusz Kaminski</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Editing</strong></p>
<p><em>Senna </em>- Gregers Sall, Chris King &#8211; <strong>Winner</strong><br />
<em>The Artist </em>- Anne-Sophie Bion, Michel Hazanavicius<br />
<em>Drive </em>- Mat Newman<br />
<em>Hugo </em>- Thelma Schoonmaker<br />
<em>Tinker Tailor Solider Spy</em> &#8211; Dino Jonsater</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Production Design</strong></p>
<p><em>Hugo &#8211; </em><strong>Winner</strong><br />
<em> The Artist</em><br />
<em> Harry Potter And The Deathly Hallows – Part 2</em><br />
<em> Tinker Tailor Soldier Spy</em><br />
<em> War Horse</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Costume Design</strong></p>
<p><em>The Artist</em> &#8211; Mark Bridges &#8211; <strong>Winner</strong><br />
<em>Hugo </em>- Sandy Powell<br />
<em>Jane Eyre</em> &#8211; Michael O&#8217;connor<br />
<em>My Week With Marilyn</em> &#8211; Jill Taylor<br />
<em>Tinker Tailor Soldier Spy</em> &#8211; Jacqueline Durran</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Sound</strong></p>
<p><em>Hugo </em>- <strong>Winner</strong><br />
<em>The Artist</em><br />
<em> Harry Potter And The Deathly Hallows – Part 2</em><br />
<em> Tinker Tailor Soldier Spy</em><br />
<em> War Horse</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Make Up &amp; Hair</strong></p>
<p><em>The Iron Lady</em> &#8211; Marese Langan &#8211; <strong>Winner</strong><br />
<em>The Artist</em> &#8211; Julie Hewett, Cydney Cornell<br />
<em>Harry Potter And The Deathly Hallows – Part 2</em> &#8211; Amanda Knight, Lisa Tomblin<br />
<em>Hugo </em>- Morag Ross, Jan Archibald<br />
<em>My Week With Marilyn</em> &#8211; Jenny Shircore</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Special Visual Effects</strong></p>
<p><em>Harry Potter And The Deathly Hallows – Part 2 &#8211; </em><strong>Winner</strong><br />
<em> The Adventures Of Tintin: The Secret Of The Unicorn</em><br />
<em> Hugo</em><br />
<em> Rise Of The Planet Of The Apes</em><br />
<em> War Horse</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Short Animation</strong></p>
<p><em>A Morning Stroll </em>- Grant Orchard, Sue Goffe &#8211; <strong>Winner</strong><br />
<em>Abuelas </em>- Afarin Eghbal, Kasia Malipan, Francesca Gardiner<br />
<em>Bobby Yeah</em> &#8211; Robert Morgan</p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Short Film</strong></p>
<p><em>Pitch Black Heist &#8211; </em><strong>Winner</strong><br />
<em> Chalk</em><br />
<em> Mwansa The Great</em><br />
<em> Only Sound Remains</em><br />
<em> Two And Two</em></p>
<p style="color: #00b9e4; font-size: 15px;"><strong>Orange Wednesdays Rising Star Award</strong></p>
<p>Adam Deacon &#8211; <strong>Winner</strong><br />
Chris Hemsworth<br />
Tom Hiddleston<br />
Chris O’dowd<br />
Eddie Redmayne</p>
<p>The video below shows The Artist claiming it&#8217;s well deserved 7 BAFTAs.</p>
<p><iframe width="550" height="309" src="http://www.youtube.com/embed/KTG00BJnbJ4?feature=oembed" frameborder="0" allowfullscreen></iframe></p>
<p>check out some of our snaps from the night.</p>

<a href='http://www.dcm.co.uk/blog/2012/02/13/the-orange-british-academy-film-awards/emile-sande/' title='emile sande'><img width="150" height="150" src="http://www.dcm.co.uk/blog/wp-content/uploads/2012/02/emile-sande-150x150.jpg" class="attachment-thumbnail" alt="emile sande" /></a>
<a href='http://www.dcm.co.uk/blog/2012/02/13/the-orange-british-academy-film-awards/fry/' title='fry'><img width="150" height="150" src="http://www.dcm.co.uk/blog/wp-content/uploads/2012/02/fry-150x150.jpg" class="attachment-thumbnail" alt="fry" /></a>
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<a href='http://www.dcm.co.uk/blog/2012/02/13/the-orange-british-academy-film-awards/looking-down/' title='looking down'><img width="150" height="150" src="http://www.dcm.co.uk/blog/wp-content/uploads/2012/02/looking-down-150x150.jpg" class="attachment-thumbnail" alt="looking down" /></a>
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